R.I.P. Steve Strange of Visage

3 03 2015

Steve Stranve IXFor those of you who don’t know, the ‘Fade to Grey’ song that all of you know was by Visage. Bonus points to those of you who can match Steve Strange with the image in the banner above.

Steve Strange was the lead singer of Visage. He was like Boy George in an alternate synthpop post-punk universe (wait, early ’80s London?) plus cocaine. He was part of the New Romantic scene, a movement which spanned from the late ’70s to the early ’80s and encapsulated an art form in various media which included androgynous dress and makeup, new electronic sounds in music, and an obsession with Vivienne Westwood’s casual ‘pirate’ look, which we can see if we simply YouTube Dead Or Alive singing ‘Misty Circles’ live.

It was that era that introduced elegantly-executed androgyny to the masses. Though short-lived (at least in the underground), it influenced the course of the ’80s by challenging people’s thoughts about gender roles, and what men and women should be. Was Annie Lennox a man, or a woman? I mean, do we seriously think this is weird nowadays? She had short hair and wore a fucking suit. Can’t a woman do that?? That’s exactly the point behind artists like the New Romantics. You, the viewer, are appalled by the fact that a short-haired ginger woman can wear a suit while dancing around in a field of cows, but you stare on in bovine wonder.

Everything weird and upturned is good.

I am sharing these videos (above and below) because:

A) Steve Strange, the tortured but talented lead singer of Visage, recently died of heart failure in hospital in Egypt (I will never accept this–it can’t be),

B) ‘She’s Electric’ is perhaps one of the greatest synthpop/dance anthems ever composed (how sublimely pulsing and ethereal?),

C) I am a big, fat, slutty whore for New Romantic music​, and

D) I just bought the CD single for ‘She’s Electric’ online! SO can’t wait to hear all the mixes. I’m especially excited about the extended mix. (Usually I like the original mix better than any of the shitty club mixes, so an extended mix of the original is like a diamond in my vagina.)

R.I.P. Steve Strange. Who cares about all your coke benders at the Blitz Club? You were a genius songwriter and performer. And you left us with what might be Visage’s best album. You left us with fashions which confuse people, makeup which makes a straight man blanch, artistic ideas which make the queerest heart quiver, and a renewed purpose behind showy spectacles like RuPaul’s Drag Race. If anybody went out in style, it was vous.





Cartman Looks Like Steve Strange!

16 07 2013

I’m sure you remember my post on Visage. Well, Steve Strange looks uncannily like Eric Cartman from Episode 3, Season 6 of South Park.

Cartman:

Cartman South Park My Hot Body II

Steve Strange:

Steve Strange IV

Is it just me, or is Cartman channelling early 1980s New Romantic gender-scepticism?





Visage Release a New Album!

15 05 2013

Visage - 2013 PhotoshootWatch out, Pet Shop Boys! Beat it, Depeche Mode! You have competition, Erasure! New Order, make another album goddamnit! Visage have regrouped and they are back in style with a new, fierce electronic dance album.

Much of what we love and remember about the ’80s was pioneered by a small group of kids who frequented a nightclub in London in the late ’70s and early ’80s called The Blitz. Among the patrons were Marc Almond of Soft Cell (“Tainted Love”), songwriter and DJ Princess Julia, and Boy George, who served as cloakroom attendant. But a very special patron of the club was Steve Strange, the notoriously androgynous genderfuck artist who hosted club nights at The Steve Strange and Princess JuliaBlitz and helped form Visage in 1978 along with Rusty Egan and Midge Ure. The band are best known for their hauntingly elegant synthpop anthems “Fade to Grey“, “The Anvil“, and  “Damned Don’t Cry“. (The gorgeous and talented Princess Julia also appeared in the video for “Fade to Grey”, while the enticing LA Richards appeared in the video for “The Anvil”.)

After 29 years, Visage have produced a new, original electronic dance album with Steve Strange serving seductive vocals alongside bassist Steve Barnacle, former Ultravox guitarist Robin Simon, and newcomer Lauren Duvall on vocals. (She matches Steve Strange in her vocal talent and reminds me of Claudia Brücken.) Some of the songs are rough dance-rock floor-stoppers, and others, sublime, emotional synthpop anthems. The result is modern, fun, crazy glamour–sound meets style and a masterpiece results. The album sounds surprisingly contemporary and fits in well with the current trend of nu disco and independent electronic music.

Shameless Fashion” is the first single from the new album. It reeks of unabashed playfulness and an unpretentious glorification of beauty, which I adore. “Never Enough” is a throbbing dance anthem which confronts the complicated nature of sexual desire and satisfaction. In “I Am Watching“, Steve tries to warn a potential victim of stalking by stalking the stalker. By far, the most glorious song on the album is “She’s Electric (Coming Around)“. The eerie guitars, icy synthesisers, and chugging bassline are accompanied by hauntingly poignant vocals which ask us, Who is she? Where is she coming from? What should we do? It is perhaps the most beautiful, mysterious, and challenging track from the new album.

It is strange that a band which pioneered the chic sound of the ’80s should take such a long sabbatical only to produce one of the most modern-sounding electronic dance albums of 2013. The album sounds like something Pitchfork would plug as indie electronica nowadays. It just goes to show that age doesn’t matter: do what your heart desires, and beauty will result. Visage have achieved this, even with their new alignment of band members.