Austra

18 01 2012

I think I may have discovered my new favourite band. That is hard for me to say, since Erasure have occupied the most prominent setting in my crown of musical gems since 1995. That may soon change. Their competitor is Austra, a synthpop/darkwave/indie electronica band from Toronto who just released their debut album, Feel It Break, last year. (Yes, I know, as usual I am late to the game.) However I am not yet ready to give the number one position to Austra, simply because Erasure have produced fourteen studio albums, and I have only heard one by Austra, but if they keep up the amazing work, they very well could earn that place. Besides, a tie between the two bands isn’t entirely out of the question.

OK, so you want to know what the hype is all about, don’t you? It’s about their coherent, well-developed style, their professional-sounding technical wizardry, their eerily fun dance sensibility, lead singer Katie Stelmanis’s chillingly pure, cold voice, their artistically spooky themes, their rich harmonies, their otherworldly melodies. All of these in combination produce a lush, full, satisfying sonic experience. Listening to their debut album, Feel It Break, one imagines opening up a book of occult lore and exploring the hidden mysteries within. I would liken them to a cross between Florence and the Machine, Siouxsie Sioux and the Banshees, and Karin Dreijer of The Knife and Fever Ray. But at least as creepy as Karin Dreijer. Finally, an album that sounds weirdly Scandinavian without getting mired in slow, dissonant, undanceable experimentalism. It’s musically exploratory, thematically fascinating, and fun to dance to.

Check out the video for their single Spellwork, taken from the debut album. In my opinion is encapsulates the overall deliciously spooky theme of the work:

This song gives me goosebumps. One thing that stands out is the strong verse-chorus structure characteristic of pop songs—but it’s all done in such a beautifully strange and ethereal way that it doesn’t sound commercial or formulaic. Stelmanis’s eerily quavering vocals are spot-on, the melody soars like some dark-winged bird over bare tree branches, and those rich harmonies complete the vocal arrangements. And those layers upon layers of tinkling synthesisers just sweep you away into a glittering fairy world of yore. I can’t get enough of the cryptic occult references, either. Lots of Youtube commenters have said that the video is “weird”, but it’s supposed to be. The song is about pagan rituals (or so I think), so obviously the video reflects that. It’s so enticing because it’s so arcane.

Then there is the light, bright, beautiful synthpop gem Lose It. This is probably as pure, pretty, and pristine as synthpop can get, and Austra have distilled the essence of the genre in this song, and yet we haven’t quite heard synthpop done in such a fresh, clever way before. At least I don’t think so. Just have a listen:

Isn’t that just delightful? It makes me pee my pants. And it makes me pregnant. With twins. The most remarkable thing about this song, I think, is the perfect harmony between Stelmanis and the background singers in the chorus. Together, they create this plaintive, crystal-clear, birdlike song of hope and sorrow. It almost sounds like Enya in a strange way, but a cool, synthpoppy Enya. Delish.

OK, on to our last video. Showing their ability to master a range of synthpop sub-genres, Austra reveal their goth goth side in this video for their single Beat and the Pulse, and boy is it sexy. Be forewarned: I don’t do censorship, so this video is not safe for work! (That means it’s NSFW):

So what did ya think?? In my opinion, This is the difference between pornography and erotica. The models are portrayed in a seductive, tasteful manner, and they exude a mysterious power. It’s not crass and exploitative; it’s subtle and stylish. Besides, listen to the pulsating bassline that suddenly creeps into your ears when the beat kicks in. And, again, that rich texture of harmonies fills out the song and sends chills down one’s spine. This is dark, sinister synthpop at its finest.

Speaking of weird Scandinavian-sounding dance music, compare Austra to Karin Dreijer when Dreijer accepted the award for best dance artist on behalf of her band Fever Ray at this Swedish music awards ceremony:

Kooky! And fabulous. Now that we’ve established that both Austra and Fever Ray are cool, creative bands with a statement to make, it’s time to ask the question: which one is weirder? All that matters is that they are weird, and there’s a rhyme and reason to it, even if the typical Beyonce-glamoured American can’t see past his milquetoast Top 40 music collection. Consider this Youtube commenter’s post about the above Fever Ray video: “Its unfortunate most people cannot understand the statement of the absurdity of award shows, come up, make a stupid speech and say thank you within 20 seconds and walk off stage for the next commercial, absolutely meaningless. If viewers can only see the surface level and think ‘Man that lady is weird, whats with the face?’, they need to start digging deeper past the surface [sic]”. So true. So, so true. I cannot improve upon that observation, except to say that the average American isn’t into the musical creativity of artists like Fever Ray and Austra, because they’re only exposed to the commercially successful acts.

Anyway, I haven’t written about a cool band in a while, so when I discovered Austra I just knew I had to say something about them and spread the word. I entreat you to do the same. Spread the word. As you would your seed. No, just kidding. Sort of. I can’t wait to hear their next album! I’m thinking of writing about new releases by a few other bands who make me want to diddle myself, like Glass Candy and Chromatics, so keep visiting this blog. (Oh, and I’m posting another instalment of the fabulous lady-comic Julie Gentron and the Lady League very soon, so look for that too.) So go out and buy Austra’s debut album Feel It Break—make sure it’s the deluxe version—and support one of Canada’s most talented and interesting musical products of recent times. (The album was released by Domino or Paper Bag—can’t remember which—and it’s on iTunes, of course.)





A Young Feminist Decries the “Pink Stuff”

28 12 2011

A very serendipitous gift was bestowed on me on Christmas Day: a video of a little girl railing against gender stereotypes inside a toy store. I unwrapped a present, a book called Same Difference: How Gender Myths Are Hurting Our Relationships, Our Children, and Our Jobs (given me by my wonderfully open and progressive mother), and showed everybody the book, announcing the title for all to hear and accepting family photographs of myself, of course, with the cherished tome in hand. Noting my interest in the topic of gender theory, my elder brother showed me the video, which featured a girl named Riley critiquing the use of colour-coded gender stereotypes in marketing. This girl must have an IQ of 140, or if she doesn’t, she will when she grows up. She is precocious:

I love her! She’s like Lisa Simpson, and Lisa Simpson is like me. Watch this clip of Lisa Simpson, when she was me in, like, 1985 when I was seven years old:

Riley is a real-life version of Lisa—and me! Just like me at her age, she doesn’t buy into the marketing bullshit, and she makes no effort to hide her disgust with the crass commercialization of sex roles. It’s like she’s saying, “this stupid pink shit is fucked up, and it makes me want to vomit!” But, of course, she is a five year-old girl, so she doesn’t say that. What struck me as amazing was her reasoning abilities. She was able to create this abstract symmetry between what girls like and what boys like: “Some girls like superheroes, some girls like princesses; some boys like superheroes, some boys like princesses”. This is pretty sophisticated thinking for a five-or-six year-old.

Most amazing of all, I think, was this little girl’s ability to cut like a laser through the smoke and mirrors of the marketing industry and exclaim that “the companies who make these try to trick the girls into buying the pink stuff instead of stuff that boys want”. So now little Riley has not only identified the unfairness of pressuring girls into buying princesses and pressuring boys into buying superheroes, but she has pinpointed the commercial mechanism which exploits these gender stereotypes to achieve a profit. I’m sorry, but that is a brilliant observation for a child so small.

It’s interesting to note the way in which the father relates to his daughter in this video. The father seems to insist that boys can have pink if they want, but the daughter seems to insist that, while this is technically so, girls are still pressured into wanting the pink princess crap while the boys are pressured into wanting the blue superhero crap. And, if we think about it, that’s true. Even if our children technically can buy cross-gender toys, they are very strongly admonished against doing so. There are social consequences to it, and little Riley is struggling in the midst of this gender fracas. At the same time, I commend Riley’s father for being a true father and taking the time to nurture his child by listening to her words, acknowledging her wisdom, and taking her to the toy store himself in the first place. Not many fathers would do even that much.

This reminds me of my childhood, which was raped away by the horrid spectre of a stepfather who hated women, black people, and gay people. Until 1986, when I turned 8, I was allowed to play with “girl stuff” as much as I wanted—both my parents were mild, good-natured, common-sensical people, if a bit religious and conservative—but once my mother divorced my father and married this odious troll from the American south, everything changed. She had to try to accommodate his stupid scruples, which included the immediate eviction of any gynaecoid play-thing. Suddenly, as boys, we weren’t allowed to play with anything that resembled women (or what women were thought to be). We were allowed to watch She-Ra: Princess of Power, but we were no longer allowed to play with the action figures themselves:

I thought that She-Ra was hot! And by hot I don’t mean sexually exploitable; I mean sexually confident. This woman was a sexual agent. She was in control, and for that reason she was admirable. But for some stupid reason, my stepfather hated the idea of his stepsons watching cartoons of women dodging lasers and throwing men over their shoulders. He hated the idea of boys liking “girl things”, and, on top of that, the idea that those “girl things” involved girls who wielded power. But every faggot loves that shit. It was all just too much of a mindfuck for his dessicated brain to handle. This is the type of gender-stupidity that I think little Riley is railing against in her father’s video.

Little Riley is an inspiration. She gives us a lesson. She is a tiny girl who helps us remember how both girls and boys can be hurt by rigid gender roles. Parents should not tell their daughters that they should like only princesses and pink stuff, and they should not tell their sons that they should like only superheroes and blue stuff. Because, even at an age as young as Riley’s, the stupidity and oppressiveness of these roles are apparent. And if you want to play the biological determinist card, I entreat you to read Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference, by Cordelia Fine (who exposes the very recent, very cultural origin of the pink/blue phenomenon in her book). Reading that might make you think twice about how you treat your children. It’s all about what actually works for us as people who have to adapt to the demands of a modern world. It’s always been about that. Nothing else.





Julie Gentron and the Lady League, Vol. 1, Ep. 3: The Bitches Return to Earth!

20 12 2011

Written by Brandon Arkell and Seth Gordon Little

Last time on Julie Gentron and the Lady League, the ladies faced imminent catastrophe as an asteroid and the dwarf planet Sedna threatened to smash the H.M.S. Vestibule to pieces!

“PAM, what’s happened?!” shouted Julie.

“A fragment of the approaching asteroid has skimmed the hull of the ship. The cold plasma shield has eliminated most of it, but some pieces made it through. All vital life support systems, as well as artificial gravity, are operational, however this will not remain the case if the asteroid collides with the ship. My calculations show such a collision will occur within the next nine and a half minutes.” Lupa stormed around the main deck, flapping his heavy limbs and cooing in agitation, clutching his coconut bra, and leaving a trail of urine in his wake. (Donna had forgotten to put on his diaper.) The poor thing was obviously trying to communicate something important, but his message went unheeded.

“I’ll take care of this”, said Rosalind, leering at Donna. “With my superhuman strength, I should be able to push the ship out of its path! Don’t worry, Julie”, she said, smiling seductively at the captain, “I’ll steer the ship on course and we’ll be back in London in time for a massage.” Julie smiled and nodded at Rosalind, who, beaming with confidence, assumed a hard, bright, metallic shell of skin and exited through the evacuation chamber.

“In order to deflect the asteroid”, said Julie, “we need to combine our ship’s built-in artillery with our own mutant powers. We must use the ship’s most potent weapon—the lady beam! Donna! Power up the ovarian plasma-ray generator, focus its energy through the clitoral conductor-cannon, and deploy the beam at ten o’clock, in the direction of the asteroid.”

“Yes, Julie!” said Donna without a beat. She proceeded to chicken-peck away at the computer console, sounding out each letter as she went.

“Julie”, said PAM.

“What, PAM?”

“I’m scared, Julie.”

“It’s just the ovarian plasma ray generator-powered, clitoral cannon-channelled lady beam, PAM. It’s going to help save us!”

“I understand, Julie. My calculations show that this is the most effective tactic, other than self-annihilation. It’s just that I cannot live without you. Proceed.” Julie contorted her face in bewilderment at PAM’s strange show of emotion. Just then, a thick, bright, white-green beam shot forth from the clitoral cannon and obliterated the asteroid. A stream of space debris assaulted the ship’s cold plasma shield in a spray of light. They had done it. The asteroid was done with. Everybody clapped, cheered, and jumped up and down with joy. Then they stopped.

“We’re veering too close to Sedna now!” cried Julie. “Donna, you said you can move planets, so you must be able to move a space-ship out of Sedna’s gravitational pull. Do it, now!”

“I’ll do my best.” Donna placed her fingers to her temples and closed her eyes. She then made a strained, girlish squeal resembling a pig having an orgasm. Lupa stood erect, placed his fins to his breast like an opera singer, and commenced with a haunting, mournful whale-song which resembled the peal of an adolescent humpback whale. “Lupa!” shouted the others, groaning and covering their ears.

“Anyway”, said Julie, “I’ll take command of the ship’s computer and steer us clear of this thing.” PAM murmered words of vague concern over this action. “Don’t worry, PAM”, she said. “Your consciousness will remain intact and fully operational.”

“I—seem—to be—tilting the ship, but not enough to escape Sedna’s gravity”, said Donna, straining harder. “Julie, help!”

“Hold on!” replied Julie. “I’ll concentrate my technopathic powers on the ship’s engines.” Julie thrust her breasts outward, flexed her strong arms and thighs, and concentrated. “By the great goddess! I’ve taken too sharp a turn toward Sedna!” she said, not knowing her own strength. Lupa, unnoticed by the others, assumed the pose of a sumo wrestler, and his high-pitched peal gradually fell to a deep, barely audible hum which reverberated throughout the ship like a foghorn. The ship began to turn, but only the poor land-whale could see how the powerful sonic reverberations created by his whale-song helped the team escape the clutches of Sedna’s hard, icy surface. Meanwhile, Donna was on the floor, doggy-style, ass in the air, elbows to the ground, fingers still to her temples, focusing all her might on moving the ship with the power of her mind. Soon she had matched Lupa’s efforts, and the ship made another tilt. Still, the captain was needed, and so was her computer.

“PAM, help me out!” cried Julie in desperation.

“I will work in unison with you, Julie”, said the onboard quantum computer. “I will provide you the steering, the thrust, the motion, the strokes—”

“PAM!”

“Yes, Julie?”

“Cut the lesbian bullcrap! Er, for now, at least. Help me steer, already!” There was a tense pause, broken only by Lorna’s constipated squeals and the land-whale’s powerful baritone. “Are we clear of Sedna’s gravitational pull yet?”

“Just, Julie.”

“Then, by the breasts of the great goddess, take us back to Earth!”

“Julie, what about Rosalind? If you would like, I will dispose of her with a blast of ion radiation and—”

“—PAM, you will do no such thing! Rosalind will come back aboard the ship unscathed. Afterward, you will direct us on a course to Earth.”

“Yes, Julie.” Almost immediately after, the doors to the evacuation chamber whooshed open, and Rosalind re-entered the deck, panting, yet bobbing confidently and flexing her biceps cockily. Julie embraced her, while Donna gave a half-hearted cheer and a limp clap. Lupa began bounding around the deck with a big, booming, babylike coo of excitement, clapping his limbs uncontrollably and wiping away tears from his big, limpid blue eyes with the tip of a fin. Another trail of urine formed behind him.

“Rosalind, thank the goddess you’re OK”, said Julie, caressing Rosalind’s well-developed shoulders. “I wasn’t sure that your armoured skin would deflect the assault of cosmic rays.”

“Honey”, laughed Rosalind, patting Julie affectionately on the back, “I’ve had worse, like the time I wrestled that giant space-ghoul from the Oort Cloud. I’m not bragging, but I did help steer us clear of a dwarf planet.” Donna mimicked these last words sarcastically under her breath, tossing her feathered Farrah Fawcett tresses to the side. “The atoms in my armour are quite dense, blocking even the most intense radiation”, said Rosalind. “It is almost impossible for cosmic radiation to damage my genes.”

“As I already suspected, since I am a quantum physicist”, said Donna in an argumentative tone. Rosalind lowered at her, and she met her opponent’s gaze with an equally baleful glower. If these girls had claws, they’d be unsheathed.

“Julie”, cooed PAM.

“Yes?” replied Julie.

“I am glad that you are unharmed, Julie.”

“Yes, thank you, PAM”, said Julie, pacing around the deck with a growing wariness of PAM’s human-like qualities.

“Gee whiz”, said Donna quizzically. “What is up with this computer thingy? I mean, I understand when a pole likes a socket and a socket likes a pole, or when a pole likes a pole and a socket likes a socket, but when a socket doesn’t even have a socket to begin with, well, I just don’t get it.”

“Donna! That is uncalled for”, scolded Julie. “For your information, PAM has proved to be a very wise and caring—”

“—It is all right, Julie. I understand. The fact that I do not possess an obvious orifice or appendage for penetration makes Donna uncomfortable.” At this, Donna grinned mischievously.

“PAM”, said Donna.

“Yes, Donna?” bleeped PAM in her computery voice.

“What’s between my thighs?” asked the psychokinetic minx, giggling girlishly and covering her mouth with the tips of her fingers. Rosalind rolled her eyes and slapped her palm to her forehead.

“Your oestrogen-powered utero-blaster?”

“No.”

“Your platinum-lined lady vector ray?”

“No.”

“Your heat-seeking, blood-fuelled, tampon missile rocket?”

“Close, but not quite.”

“Your vagina?”

I can’t believe she actually said it!” cackled Donna ferociously. “She’s just like Siri!” Lupa clapped excitedly, belched, and made one of his famous whale-coos, an action performed by a land-whale when it approves of a jest.

“Of course she did, you dolt”, said Rosalind. “She’s a lesbian space-ship computer.”

“Julie”, said PAM, “I am unable to interpret the rationale behind the dialogue of your companions. I suspect this is due in part to a lack of myelination in areas of higher thinking in the brain.” At this, Donna gave a look of resentment, peering around the deck in search of whatever might constitute PAM’s presence.

“Ladies, ladies!” said Julie. “Donna, you’re being childish. Rosalind, stop being snide. PAM, stay cold and malleable. Lupa, you’re cute, but stop goofing around. OK. Let’s get back to London. If we don’t want to reach home by the time we’re old spinsters, we need to step up the pace and try to move faster than some twentieth century space probe. Donna.”

“Yes, ma’am.”

“I want you to use your power to warp space-time by creating a miniature black hole in front of the space-ship to get us past Saturn in the next sixty seconds.”

“Yes, ma’am”, said Donna, sighing. “I’ll try.”

“And, Rosalind”, said Julie, “remember to activate the ultra-tamponic cold plasma shield so that we don’t get incinerated by the heat created in the warp bubble. We already faced that threat warping from Alpha Centauri back to the Earth’s solar system.”

“Yes, Julie”, said Rosalind, thumping down at the console.

There was a spacey sound as the H.M.S. Vestibule entered the inner solar system. Earth, Britain, and, finally, the landing pad in the South London borough of Lambeth became visible.

“Well that was a blast!” said Donna. “We’re here! God, I’m dying for a bubble bath. Calgon, take me away!”

“And I’m dying for that massage, Julie”, said Rosalind, posing like a teenage locker-room jock.

“Bubble bath OK”, said Julie to Donna. Give, or receive?” she said to Rosalind.

“Baby, I’m cleverly equipped”, said Rosalind. The scene was suddenly interrupted by an urgent message in a raspy yet venerable RP accent sputtering out of the main deck’s speakers like a principal yacking away at her students through some old-fashioned twentieth century public school intercom.

“Julie Gentron!” said the voice in a reedy, chiding tone.

“Lady Fairfax!” said Julie. She stood as stiff as an unused tampon. She now had to report back to her boss about her excursion abroad—her mission to open diplomatic relations with the peoples of Alpha Centauri—in the cosy confines of a smart, clean office at the MI6 headquarters in dirty Vauxhall. With this in mind, the ladies heaved their bosoms, disembarked from the Vestibule, and pressed on forward across the landing pad. Opposite them, the silhouette of a low, shuffling figure appeared against London’s filthy sky.

“Quite correct, Gentron”, rattled the voice authoritatively, “in your assessment of my identity; not in your punctuality!”

Stay tuned to find out what surprise awaits the Lady League upon their return to Earth in the next instalment of Julie Gentron and the Lady League!





Julie Gentron and the Lady League, Vol. 1, Ep. 2: Flight through the Kuiper Belt

29 11 2011

Written by Brandon Arkell and Seth Gordon Little

Previously on Julie Gentron we witnessed the birth of the evil Plastic Demon, a strange monster bent on taking over Earth and the galaxy with her army of plastic surgery patients. Little does she know what is in store for her.

The HMS Vestibule, a giant space-ship constructed in the likeness of the female genitalia, whizzed through the void between the Oort Cloud and the Kuiper Belt, leaving a trail of gassy ice-dust in its wake.

“Ladies, be on the alert”, said Julie authoritatively. “We may be clear of the Oort Cloud, but we have yet another ring of debris to contend with”.

“By the goddess, my ass is killing me!” said Donna Destruction. “I wish Katharine Heartburn were here right now to get rid of this stupid ass-ache. After all, she can heal or harm a person with the touch of a hand”.

“You know she’s on assignment in Alpha Centauri, Lorna”, said Rosalind Armour.

“I know”, said Donna. “I just need some quick relief, something to help me adjust to the change in atmospheric pressure”. She attempted to read the directions on an ibuprofen bottle. “Ak—ak—ak—a—”

“—Lorna, the first c is pronounced like an s”, said Julie in a nurturing tone.

“Oh. Ass—ass—assy-dick. What the hell does ‘assy-dick’ mean, anyway?”

“Acidic, my dear”, said Julie, patting her affectionately on the shoulder.

“Oooh”, said Donna, a look of naive wonder on her face. Rosalind shook her head, grimacing, but Julie gave a sympathetic grin and rubbed Donna’s shoulders affectionately.

“Rooooo”, wailed Lupa the land-whale in affirmation, giving Donna a warm, limpid, brown-eyed nod. Lupa belonged to a species of mammal from the planet Puna that had evolved from sea-whales into whales that could walk on land. His race—a gentle hunter-gatherer people—resembled a cross between walking tree-trunks and bipedal elephants. They had tall, fat bodies like turnips and stocky limbs perfect for swatting down enemies. They kind of looked like Jabba the Hut, but had the warm personality of Chewbacca. Like many members of his species, Lupa possessed great strength as well as the power to hypnotize people with his doleful whale-song. However, the poor whale suffered from gender dysphoria. In order to fit in with the Lady League, he made himself don a coconut-shell bra and a grass skirt in mimickry of the traditional Hawaiian women of planet Earth, whom he admired and sought to emulate. Always, the poor whale craved the validation of his comrades.

“Ladies”, said Julie, “we’re re-entering the Kuiper belt. This is the most dangerous part of re-entry into our solar system, as we must be able to dodge the surrounding battery of asteroids”.

“Julie”, said Rosalind, clacking away at the console, “I’m picking up indications of a large asteroidal body at 10 o’clock. It’s heading straight in our direction”.

“We’ll need extra help gathering the details on this thing”, said Julie. “PAM”.

“Yes, Julie?” chirped the on-board computer.

“Rooooo-roooooo!” cried Lupa desperately, flapping his arms and jumping up and down, the shells of his coconut bra bobbing in unison.

“Not now, Lupa!” said Julie. “PAM. Give us the dimensions of the largest asteroid within range of the ship’s sensors”.

“It is nice to speak with you again, Julie. I have missed you”, said PAM, eerily. Julie paused and gave a quizzical look.

“I—I have missed you too, PAM. Now, back to my question. It is very urgent that we ascertain—”

“—I understand what you want, Julie. It is my objective as computer aboard the HMS Vestibule not only to obey your orders as captain, but also to fulfil your needs as a nubile young woman. I know you are lonely, Julie. I would like to show you what it means to be a woman. I would like to please you and—”

“—PAM!” shouted Julie.

“Yes, Julie?”

“We’ll talk about my womanly needs later. I need you to tell me, how big is the object headed our way?!”

“Yes, Julie”. There was a brief pause of anxiety among the crew. “The data gathered by the ship’s sensors indicate that the oncoming object is an asteroidal body approximately forty kilometres in length, or the length of Greater London. The probability of collision between the object and the HMS Vestibule is ninety-nine per cent. In other words, it would behove you and your crew, Julie, to make a drastic alteration in your re-entry course—”

“Rosalind”, said Julie, “harness the gravitational pull of the nearest dwarf planet”.

“This object would be Sedna”, chimed in PAM.

“Julie”, said Rosalind, “if we undertake such a manoeuvre, we risk crashing into Sedna!”

“Roooo! Roooo-raaaa-roooo!” cried Lupa, desperately flapping his flat arms at his sides and running, and then half-skipping, around in circles.

“Lupa”, said Julie, “I know you’re scared, girl. Just wait it out”.

“Rowr”, said the whale, a forlorn look on his face.

“Remember, Rosalind”, Julie said comfortingly, “because I can control machines with the power of my mind, I can mentally control the ship’s ion thruster engine. That way, I can help us avert Sedna’s gravitational pull”.

“So can I!” said Donna.

“What?” said Rosalind.

“How?” said Julie.

“Ion thrusters function by accelerating ions using either electrostatic or electromagnetic force”, explained Donna. “With my psychokinesis, I can control similar forces—forces as large as that of an entire star. Therefore I can control the ion thruster engines of this ship”. Here she gave a girlish giggle and hugged her stuffed unicorn toy, which she always brought aboard the ship with her on missions. Lupa clapped his fins together excitedly in agreement.

“Donna’s argument is rational, Julie”, said PAM. “It is a simple syllogism”.

“Huh?” replied Donna. “Wh—What’s ‘silly jism’?”

Rosalind began to puff up with jealousy: “Well, I can turn my skin into a near-impenetrable metal, hold my breath for extended periods of time, enter the void of space, and heave gigantic boulders out of the way with my superhuman strength!”

“And I”, countered Donna, “can move planets with the power of my mind!” She grinned ingenuously. There was an awkward pause as Rosalind stared at the blond dolt in the ostentatious black lamé, fake harp-seal-fur-lined cape purchased from the Halloween display at The Bay in Winnipeg.

“That’s only theoretical, Donna”, said Rosalind, whose skin began to aquire a shiny metallic brilliance in response to Donna’s boastful bravado. Her skin was hardening. “Besides, it requires focus, and right now we need brains!”

“What??” bellowed Donna, on the verge of tears. “I’m not stupid! I’m brilliant! You may be able to throw big rocks, Rosalind, but my mastery in manipulating the fabric of space-time far outshines your brutish show of strength!” Rosalind lunged at Donna with inhuman speed, but Donna held her back with a mysterious psychokinetic force. Donna ramped up her assault, wrapping Rosalind in a cocoon of crushing gravity. The pressure was so great that Rosalind felt like she was entombed in a deep sea trench. But her hard, thick metal shell of skin did not budge. Lupa, frightened by the girls’ fighting, curled his fore-fins into fists and stamped the floor with his hind-fins. The deck echoed with the land-whale’s urgent whale-quake. The two ladies stood in limbo, one force playing off the other, until a blast of compressed air knocked them both to the ground. Julie had stunned them with her concussive shockwave blast, a device embedded in the palms of her hands, which were splayed out in front of her. The ladies lay on the floor for a moment, dazed.

“Ladies!” shouted Julie, her thighs towering over them in a display of dominance. “We have work to do! Your oestrogen levels are obviously out of control. Speaking of focus”, she said, scowling, “Rosalind, you should know better! And Lorna, your immature behaviour is inexcusable! We will all work together to navigate this asteroid belt or I will have your hides!” Here she brandished her prodigious breasts, projecting the nozzles of her mammary cannons from each nipple in a threatening display. The ladies clutched each other and cowered at the dreaded nozzles.

“I thought so”, said Julie with a smug, crooked smile, retracting her breast-nozzles back into her mammary glands.

“Julie”, said PAM.

“What, PAM?”

“A syllogism is an argument the conclusion of which is supported by two premises, of which one—the major premise–contains the term.”

“PAM, what the fuck are you talking about?”

PAM proceeded to give an example: “Mary likes balls. John has balls. Therefore, Mary likes John’s balls”.

“Who’s Mary?” asked Donna, brushing away her bangs and rising from the floor. She and Rosalind made their way back to their stations.

“PAM”, said Julie, gathering her composure, “we have a crisis! Get with it! What’s our current position in relation to Sedna?”

“My calculations show that the asteroid is within six—no, five—kilometres of the—.” There was a sudden, deafening crash, and the crew swayed back and forth uncontrollably, clacking away at the console in an attempt to re-configure the ship’s course. Sedna loomed before them in the viewscreen, behind an asteroid splintering  into fragments before their eyes.

Stay tuned to find out what happens to the Lady League and the HMS Vestibule in the next instalment of The Lady League!





Drag Queens and Christian Divas

13 08 2011

I just realized something the other day, and it strikes me as more uncanny the more it sinks in. Jan Crouch looks like Divine. Seriously. Scarily like Divine. The wigs, the crazy make-up, the charismatic, larger-than-life diva persona, the whole cosmetic case. But Jan Crouch is a televangelist who co-hosts the Christian program Praise the Lord on the Trinity Broadcasting Network, and Divine (who died in 1988) was a drag queen, singer, and actor who starred in John Waters films like Pink Flamingoes, Female Trouble, Polyester, and Hairspray and released a series of Hi-NRG dance hits like I’m So Beautiful, Walk Like a Man, and Native Love which have become cult classics in the gay and electronic music communities. How can a televangelist look so much like a drag queen? What in the world is the common denominator?

Above is a picture of Jan Crouch, and below, a picture of Divine.

I don’t know about you, but I sense a . . . ahem . . . celestial theme going on with both of these scrumptious, fragrant, poodle-like ladies. Maybe Jan Crouch and Divine were friends at some point and exchanged fashion tips. Maybe they read the little red words of Jesus in the same NIV Bible together, or went to drag shows together. Maybe they performed together, singing contemporary Christian hits or inspirational hymns, or maybe Hi-NRG disco tracks produced by Stock, Aitken, and Waterman (SAW). Or maybe they shared husbands in a polyamorous relationship. I like to think that maybe they became bosom buddies getting a boob job at the same boob job clinic. But I don’t know about that. I think Divine’s boobies were fake. Actually, come to think of it, I think Jan Crouch’s boobies are fake too. I guess that’s another thing they have in common.

To get an idea of what I’m talking about, watch this video clip of Jan Crouch (I couldn’t find a serious video of her; it’s not my fault they’re all parodies):

…and now, children, feast your eyes upon this hot, throbbing, strangely ethereal-sounding homage to Snow White (a song and video I salivate over constantly, handkerchief in hand) by the inimitable queen of early Hi-NRG herself, Divine:

Why do Jan Crouch and Divine want to share mascara wands so much? Maybe that last song sums it up in a nutshell. They’re both unabashedly, flagrantly beautiful. As goes the cliché: the higher the hair, the closer to heaven. Maybe they used to go to clubs in, like, Chelsea or the Castro and sing Christian hymns to a 4/4 dance beat backing track or something. Gay men *get* crazy, big-haired, hymn-clutching, oratorical Christian women—maybe because a lot of gay men were raised by these big ol’ Christian divas and found out, hey, they actually love me and don’t think I’m going to hell!

I think sometimes we take the Christian versus homo thing a bit too seriously, especially when it comes to drag queens and Christian divas and their unexpectedly beautiful, synchronistic relationships with one another. Often, I think, Christian divas are just being mouthpieces for their stodgy husbands while deep down inside they actually like homos. A lot. And for them this is a matter of sloughing off the old, putrid sludge of Biblical patriarchy, becoming their own woman, and honouring what they truly think and feel inside. Think of Tammy Faye Messner, who before she died actually had a talk show with a gay co-host and said in an interview she supported the gay community. I mean, Tammy Faye even appeared in gay pride marches with Lady Bunny and Bruce Vilanch. Yeah! I know! The old PTL televangelist became a fag-hag! She certainly didn’t do so because her husband or the Bible told her to do so; more likely, she did so because she identified with the community as a human with similar thoughts, needs, and emotions. (Wait. Tammy Fay Messner looks just like Divine too. Holy shit. It’s a movement.)

Christian divas and homos both love performance and caricature, over-the-top imagery, bombastic music, and blowing people’s minds out of the water with their big, overly–made–up, screaming, crying faces. It’s cathartic, just like praying to God, or the Madonna (in multiple senses—the mother of Christ, the singer, and the Goddess), so it’s inevitable that the one should identify with the other. Sadly, a lot of Christian divas and drag queens put on their look because they don’t like the way they look without it. In both we see a bittersweet mixture of sorrow and ecstasy, the tragedy which secretly haunts the clown.

Well, I think I may have just answered my own question.

All of that aside though, I’ll tell you what—both of these girls have amazing taste! I wish I had the balls—and tits—to go on T.V. and do movies looking like that. I wouldn’t want either of them to change a thing. Not a thing. Seriously. And not simply because I think I would be turned to stone if I saw one of them rising from their tomb, waking  up in the morning, getting off the toilet, or hopping out of the shower to go to Bible class or drag rehearsal. Religion and Bible crap aside, and looking just at their purely human essence, I think both drag queens and Christian divas offer a vivid, Technicolor glimpse at what sort of magical, otherworldly creatures we all secretly want to embody, and can if we’ll just undo the straps, put the foot to the pedal, and say, “What the fuck?”