Tomorrow’s World

9 10 2011

I have been waiting for this day for four years, yet somehow it feels like just another release date. I guess I’m showing my age. Erasure have released Tomorrow’s World, named after the British 1980s science documentary series. And I have to say, with the help of Frankmusik, the album is awash in smooth, modern dance sensibility. Well, two-thirds of it, at least. The other third is a little bit more anchored in the soul-gospel balladry which places focus on lead singer Andy Bell’s distinctly bold voice. But, then, his voice soars in the dance tunes, too. The strength of the album is in how Andy’s voice–which sounds particularly strong and stable–glides atop the chic dance grooves.

Consider the track “I Lose Myself”, with its hard, deliberate rhythm and rich, unabashed vocals:

If you ask me, it sounds like a well-polished, modern twist on early New Order. But it hasn’t really been done before; it’s a new kind of fierce dance-pop. (By the way, New Order’s lead singer, Bernard Sumner, is releasing an electronic album soon.)

Now consider the more vulnerable sound of “Be With You”, characterized by an irresistibly loping beat and Andy’s longing, soaring voice:

This is the way ballads should sound: originally conceived to be slow, but re-interpreted as a dance track to inject a throbbing energy which only elevates the soulful vocals.

Then there is “A Whole Lotta Love Run Riot”, the ultimate cynical commentary on the vapidity of British club culture in the 2010s:

This song is like “I Lose Myself” in its intense, driving rhythm, but it is a little bit ironic how it criticizes the banality of modern British dance music while co-opting that same style and creating a much more lush, melodic, tightly-structured, tuneful sound–which is the way dance music should sound anyway.

Finally, we arrive at my favourite track, “Fill Us With Fire”. I like this track in particular because of my spiritual bent. (I believe in something greater than myself, but ultimately what matters is how we treat one another. Indeed, for me, that is the purpose of spirituality.) It is a rumination on the woes of humankind and a plea for rationality and self-reflection. At the same time, it doesn’t sound too didactic. It is truly a treat for the ears and the mind:

Something about this song evokes climbing a ladder. As I listen to the verse, then the bridge, and then, finally, the chorus, it feels as if I am ascending into a higher place. It is one of Erasure’s most divinely contemplative compositions, in my opinion. It is just sublime.

So that is the sound of Erasure circa 2011. The production was done by Frankmusik , a highly talented and emerging electronic dance artist. And we know the name-brand sound ofVince Clarke, a skilled and timeless “tone-smith” who creates the instrumental soundscape of Erasure, not to mention his bandmate Andy Bell, a prominent songwriter and vocalist. I cannot describe to you the amazing talent produced by Mute, which includes artists like Moby and Goldfrapp. Their skils combined, these individuals should make you shit tears of joy. Honestly.

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Drag Queens and Christian Divas

13 08 2011

I just realized something the other day, and it strikes me as more uncanny the more it sinks in. Jan Crouch looks like Divine. Seriously. Scarily like Divine. The wigs, the crazy make-up, the charismatic, larger-than-life diva persona, the whole cosmetic case. But Jan Crouch is a televangelist who co-hosts the Christian program Praise the Lord on the Trinity Broadcasting Network, and Divine (who died in 1988) was a drag queen, singer, and actor who starred in John Waters films like Pink Flamingoes, Female Trouble, Polyester, and Hairspray and released a series of Hi-NRG dance hits like I’m So Beautiful, Walk Like a Man, and Native Love which have become cult classics in the gay and electronic music communities. How can a televangelist look so much like a drag queen? What in the world is the common denominator?

Above is a picture of Jan Crouch, and below, a picture of Divine.

I don’t know about you, but I sense a . . . ahem . . . celestial theme going on with both of these scrumptious, fragrant, poodle-like ladies. Maybe Jan Crouch and Divine were friends at some point and exchanged fashion tips. Maybe they read the little red words of Jesus in the same NIV Bible together, or went to drag shows together. Maybe they performed together, singing contemporary Christian hits or inspirational hymns, or maybe Hi-NRG disco tracks produced by Stock, Aitken, and Waterman (SAW). Or maybe they shared husbands in a polyamorous relationship. I like to think that maybe they became bosom buddies getting a boob job at the same boob job clinic. But I don’t know about that. I think Divine’s boobies were fake. Actually, come to think of it, I think Jan Crouch’s boobies are fake too. I guess that’s another thing they have in common.

To get an idea of what I’m talking about, watch this video clip of Jan Crouch (I couldn’t find a serious video of her; it’s not my fault they’re all parodies):

…and now, children, feast your eyes upon this hot, throbbing, strangely ethereal-sounding homage to Snow White (a song and video I salivate over constantly, handkerchief in hand) by the inimitable queen of early Hi-NRG herself, Divine:

Why do Jan Crouch and Divine want to share mascara wands so much? Maybe that last song sums it up in a nutshell. They’re both unabashedly, flagrantly beautiful. As goes the cliché: the higher the hair, the closer to heaven. Maybe they used to go to clubs in, like, Chelsea or the Castro and sing Christian hymns to a 4/4 dance beat backing track or something. Gay men *get* crazy, big-haired, hymn-clutching, oratorical Christian women—maybe because a lot of gay men were raised by these big ol’ Christian divas and found out, hey, they actually love me and don’t think I’m going to hell!

I think sometimes we take the Christian versus homo thing a bit too seriously, especially when it comes to drag queens and Christian divas and their unexpectedly beautiful, synchronistic relationships with one another. Often, I think, Christian divas are just being mouthpieces for their stodgy husbands while deep down inside they actually like homos. A lot. And for them this is a matter of sloughing off the old, putrid sludge of Biblical patriarchy, becoming their own woman, and honouring what they truly think and feel inside. Think of Tammy Faye Messner, who before she died actually had a talk show with a gay co-host and said in an interview she supported the gay community. I mean, Tammy Faye even appeared in gay pride marches with Lady Bunny and Bruce Vilanch. Yeah! I know! The old PTL televangelist became a fag-hag! She certainly didn’t do so because her husband or the Bible told her to do so; more likely, she did so because she identified with the community as a human with similar thoughts, needs, and emotions. (Wait. Tammy Fay Messner looks just like Divine too. Holy shit. It’s a movement.)

Christian divas and homos both love performance and caricature, over-the-top imagery, bombastic music, and blowing people’s minds out of the water with their big, overly–made–up, screaming, crying faces. It’s cathartic, just like praying to God, or the Madonna (in multiple senses—the mother of Christ, the singer, and the Goddess), so it’s inevitable that the one should identify with the other. Sadly, a lot of Christian divas and drag queens put on their look because they don’t like the way they look without it. In both we see a bittersweet mixture of sorrow and ecstasy, the tragedy which secretly haunts the clown.

Well, I think I may have just answered my own question.

All of that aside though, I’ll tell you what—both of these girls have amazing taste! I wish I had the balls—and tits—to go on T.V. and do movies looking like that. I wouldn’t want either of them to change a thing. Not a thing. Seriously. And not simply because I think I would be turned to stone if I saw one of them rising from their tomb, waking  up in the morning, getting off the toilet, or hopping out of the shower to go to Bible class or drag rehearsal. Religion and Bible crap aside, and looking just at their purely human essence, I think both drag queens and Christian divas offer a vivid, Technicolor glimpse at what sort of magical, otherworldly creatures we all secretly want to embody, and can if we’ll just undo the straps, put the foot to the pedal, and say, “What the fuck?”