Isn’t it funny how musical styles come and go? I remember 1950s rock ‘n’ roll being popular when I was growing up in the early ’80s, mainly because of Grease and Grease II. Michelle Pfeiffer straddling a ladder was one of my most cherished memories (and her electrocuting Christopher Walken to death in Batman Returns was perhaps my favourite scene in cinematic history). Everything ’50s was cool then, from the turned-up cuffs to the white socks. One of the first songs I learned to sing was ‘Rock Around The Clock’, but that was in 1982, long after the original song had been played on the radio, let alone penned. I was flooded with images of Madonna, Cyndi Lauper, and Boy George. The same era had a peculiar dance beat which nobody had ever heard before—a 4-4 dance beat–with synthesiser arrangements.
In the early ’80s a new sound flooded the dance clubs of Europe and trickled down to America (as usual—new sounds happen in Europe first). It was a style of dance music with a rich, heavy, persistent bassline and simple yet elegant melody. It originated in Italy, with musicians like Giorgio Moroder, who produced music not only for Donna Summer, but also for films like Midnight Express and iconic ’80s fantasy films like The Never Ending Story. It clearly derived from 1970s disco, but reinvented itself with modern synthesisers. It became known as Italo-disco.
Probably my favourite italo-disco tune is ‘Hypnotic Tango’, by My Mine:
Isn’t it absolutely gorgeous?
One of my other favourite italo-disco tunes is ‘Orient Express’, by Wish Key:
Isn’t that the most seductive dance tune you’ve ever heard?
Glass Candy basically aced the whole italo-disco revival with the following tune:
How beautiful is that? Ida No, the singer of Glass Candy, is totally awesome.
New italo-disco style music is being created by Sally Shapiro:
Italo-disco is a gorgeous dance style. You just have to love dance, melody, and rhythm.